Xiaowei Wang, Pei Jiang

（School of Music, Hunan Normal University）

Abstract：

When folk artists engage in oral communication and heart to heart teaching, there is often an important research point called "oral transmission", which makes oral expression under different thinking have different meanings in music transmission. In recent years, people have been paying attention to the dynamic inheritance of traditional music culture, and the first challenge they face is what kind of sound to preserve, including the significance of folk collected sound for the current music environment. This article draws on relevant theories and methods in narratology, which often emphasize the concept of background and indicate it to the musical context of music text narration. On the one hand, it understands music as a spiritual communication and constructs individual existence under different musical behaviors. On the other hand, it stands at the perspective of the further development of traditional music in different contexts, focuses on the corpus in music narration, and deeply describes the different thinking consciousness in the context, supplemented by deeper expression connotations.

Key Words：

traditional music; music narrative; context background