Xiaoman Yu, Chengshi Huang

(Hebei Academy of Fine Arts Film and Television Art College)

Abstract：

The content of Yunnan's heavy colored paintings mostly reflects the natural scenery, ethnic customs, and historical culture of Yunnan's red soil areas, with strong ethnic and local characteristics, and the images have strong aesthetic and decorative qualities. This article focuses on exploring the spatial issues in modern heavy color painting in Yunnan through the study of line, color, and flow perspectives, with the hope of comprehensively interpreting and re understanding modern heavy color painting in Yunnan.

Key Words：

yunnan modern heavy color painting; lines; viewpoint; spatial expression