Zhan Xu, Xiaorong Wang

(Suzhou University School of Music)

Abstract：

Exploring the aesthetic paradigm of "absolute music" can be carried out from multiple aspects, and the listening paradigm is one of them. The formation of the "absolute music" listening paradigm is closely related to the independence of instrumental music, but its cause still needs to be found in the power struggle between the European aristocracy and middle class in the 18th and 19th centuries. From a sociological perspective, as an exemplary way of appreciating music, the "absolute music" listening paradigm has historical constructiveness. It is not only a stable mode of interpreting works, but also serves as a hidden mode of interpretation. The form of sexual social rights is used to maintain the social identity of specific social classes.

Key Words：

absolute music aesthetic paradigm; listening paradigm; historical construction