Aiai Xu, Xiaobin Hong

(Communication University of China)

Abstract：

Music performance is an important part of music art activities, and the theoretical research of "music performance psychology" involves a series of issues such as "attention", "emotion", "perception", "interest", "imagination", "intuition", "memory", "mood" of music performers (singers), as well as "regulation and control of on-site psychology". In addition, the issue of "intuition" also involves "perception", "consciousness", and "unconsciousness", which are all topics that "music performance psychology" research must face. The article discusses various issues in music performance psychology, including whether "music performance psychology" can become a discipline, its disciplinary attributes, knowledge system, research methods, and the status and role of "people" in the study of this discipline.

Key Words：

music performance psychology; disciplinary attributes; knowledge system; research method